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His performance makes Jacob come off as childish, abusive, and thoughtless. Even if this is how Jacob acts in the books, it's still up to the actor to generate some sort of sympathy from the audience, but Lautner can't do it. There's a way to express the emotions of that situation without becoming a possessive jerk and Taylor Lautner will never find it. There has to be a better way for Jacob to express to Bella that he doesn't want her to die, and I started to wonder: is Jacob written as a terrible human being/werewolf? There is a relatable emotion to being passed over for another guy and being kept in the friend zone for all eternity. Even when he decides to show up at the wedding and Edward kindly gives Bella a moment with the whiny prick, he has to remind her A) Her heart will stop beating when she becomes a vampire B) he calls her stupid when she says she and Edward are going to have sex on the honeymoon while she's still human and C) he violently grabs her arms and yells at her. He's still an everlasting fountain of rage and jealousy. You can argue that's his primal nature, but like every other character, he's never matured over the course of the series.
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The movie opens with the little shit being petulant and selfish when he receives the wedding invitation because he can't deal with anything like a mature human being.

The wedding and honeymoon are bolstered by director Bill Condon's indulgence and Guillermo Navarro's vibrant cinematography, both of which manage to overcome an unusually wretched score from the highly talented Carter Burwell (who has scored all of the Coen Brothers' movies).īut of course Jacob Black has to come along to spoil the party. Billy Burke and Anna Kendrick remain my favorite part of these movies because they seem to be the only people who can note the absurdity of their surrounding situation (they also have terrific comic timing). It's also the only part of the movie that allows for humor. It's the dream wedding, the dream honeymoon, and the dream loss of virginity. It felt human and there was an implicit understanding that this was fantasy, but at it was fantasy almost entirely devoid of angst. Strangely, this was my favorite part of the movie. Sure, there's been cuddling, laying together in open fields, and enough longing gazes to fill the world's most unbearable YouTube supercut, but this is the climax. The first half of Breaking Dawn – Part 1 lets the fans indulge in romantic fantasies like never before.
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Sadly, the second half of Breaking Dawn transforms into the mopey and idiotic drama I endured for the past three movies, but at least this time the series reached some glorious so-bad-it's-good moments. I'm not immune to big weddings and romantic honeymoons, and the first half is filled with happiness and humor. The Twilight Saga: Breaking Dawn - Part 1 even managed to wrap me up in that fantasy for the first half of the movie. I've written at length on how I find the subtext of the movies repulsive even though I can understand how the text can be enjoyed as shallow fantasy. If you believe that any review contained on our site infringes upon your copyright, please email us.I'm always surprised when I like anything Twilight-related.
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